Archive for March, 2012

A Primer on Types of Books

As I was clearing out my personal library, the variety of books I owned became abundantly clear. I thought about how many people are writing books, maybe even publishing their books by themselves or using a service, and decided to give you a primer so you can make good decisions along the way when you work with your book professionals.

  • Fiction books are easiest to design because they are straight text.
  • Non-fiction books include any of these elements:  different levels of headers, charts, references, photos, illustrations, and quotes. The designer has more work, as does the editor and proofreader, than with fiction.
  • Memoir books typically use shorter chapters, lots of photos, and perhaps copies of materials such as letters or clippings. Again, these are more work for your designer than fiction. Your editor may challenge the clarity of the writing, too, since you know the subject matter so well.
  • Children’s books involve getting appropriate illustrations, placing the text strategically in relation to the illustrations, and using lots of color. Of course, children’s books are also age sensitive.
  • Gift books range from basic to ornate, from inexpensive to expensive, and often use special treatments in publishing that your designer needs to consider when doing the design.
  • Art books can be color intensive or black and white, depending on the art. The paper used in printing art books is also critical to creating a beautiful art book.
  • Educational books use various types of text, sidebars, exercises, application suggestions, and graphic elements such as tables, figures, etc. Sometimes photos are used to underscore a learning point.
  • Scholarly works require several levels of headers, citations within the text, and footnotes or endnotes.

Use this short primer to help you find the right designer for your book if you self-publish. If you work with a publisher, you’ll be better equipped to work with the publisher’s designer. But, beware templates and make sure you’re getting the right design for your book.

Happy writing!

 

Read What You Write

I read mysteries for relaxation. Even though mysteries are generally written to formula, depending on whether it’s a cozy, police procedural, hard-boiled, or whatever, I still like to see if I can figure out whodunnit.

Last week I was reading a mystery about two elderly sisters found dead and on page 2, the author named one sister as the older, but on page 4, the other sister was older. HUH? I re-read and re-read because I couldn’t believe my eyes. Yep, there it was. A simple error that ruined the author’s credibility regarding details (which is rather important in a mystery).

So what’s my point? You are the author of your book and the responsibility for the words (including errors) is yours. Granted, you need an editor because you know what you intended to say and an editor will help you determine if the words actually do. However, your name–not the editor’s–appears on the cover of your book, so your reader holds you–not the editor–accountable for the book’s contents.

Writing books takes weeks, months, or even years. It’s easy to forget details you’ve written over time. But your reader reads your book in hours or days, so everything is fresh in your reader’s mind.

Many successful authors write to a schedule, and the first thing each one does is go back and read what he or she wrote the previous writing session in order to pick up in the right spot and have the right focus.

I’m an advocate of writers groups to help you with your writing too. Writers groups can point out inconsistencies such as the one I found in that mystery.

When we were publishing books, I required all manuscripts be edited by a book editor because a good book editor will challenge the author in areas that aren’t clear or that are inconsistent.

But the ultimate responsibility for the accuracy in your book is you, so read what you write.

Happy writing!